DOWNLOAD E2 E4 MANUEL GOTTSCHING

It was also the first record I put my own personal private name on; it was not released as Ash Ra Tempel or Ashra. I started not only to build my studio but also to collect more and more instruments. An improvised, one-track album that foresaw the coming of minimal techno as early as Where E2-E4 became a seismic start button for techno is in the second half of the hour-long track, where looped guitar noodling sits calmly on top of all the synthetic pulses of minimal electro. But yes, something about how I recorded and produced E2-E4 in a way felt special.

e2 e4 manuel gottsching

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e2 e4 manuel gottsching

It was also the first record I put my own personal private name on; it was not released as Ash Ra Tempel or Ashra. Virgin Records, which had been a very experimental label for young and untested music over the years was becoming more and more commercial.

Some people were writing twenty-minute compositions about knitting machines and typewriters, while others played Beethoven symphonies at various different rpms, all at the same time. There was even a collaboration with the counter-culture LSD academic gittsching psychologist Timothy Leary in Its revival in recent years is testament to that.

e2 e4 manuel gottsching

An improvised, one-track album that foresaw the coming of minimal techno as early as I built equipment that I used as one instrument. But yes, something about how I recorded and produced E2-E4 in a way felt special.

Loud And Quiet

Collaborating with the director of the Berlin State Ballet, Gregor Seyffert, they have found some games of chess that have been archived from the s and s that lasted roughly an hour. They could play for hours without having written a note, and without needing to so much as look at one another. I thought maybe not. You get used to the simple programming languages and commands like hex numbers and html systems.

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The story of E2-E4 – Manuel Göttsching’s accidental masterpiece – Loud And Quiet

The title came up when I was working with the first home computer — I had an old Apple 2 and I was starting to write programmes with it.

Should this record be he second album?

e2 e4 manuel gottsching

European and world plans are available too, at the lowest rate we can afford. The advantage of familiarity. My father could actually play with just the numbers and the codes in his head; he could do a whole game without having a chess board in front of him. How to make 60 minutes on a vinyl where each side only fits 20 minutes? I did a lot of mixing — sometimes improvisation and sometimes composition, but I like both elements.

The Horrors look back on 10 years of Primary Colours interview 23 Apr We hope you consider this a good deal and the best way to keep Loud And Quiet in your life without its content, independence or existence suffering. But it could also be written as a kind of programme for a computer. Once he was part of the loudest band in Berlin — literally shaking the building of his first record label in a studio with no fades and an overly complacent manue, — but at its heart it was just the same principle as free jazz.

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It d2 a statement which said I should continue to work with this piece and get it released somehow and spread it all over the world. As legacy goes, maybe this album is enough, though. For E2-E4, I just took the instruments and prepared these two chords and some basic bassline, and then I started playing with it, improvising with the chords and the sequencers and the loudness of the chords so it makes a shifting event.

Of course it was a compliment. The first Ash Ra Tempel album is completely improvised. For me this recording was opening a new game.

After all, Manuel was stuck with an odd problem: How Sparks have spent a half-century doing what the hell they like interview 19 Jul Berlin in felt like the height of a cultural renaissance, where experimentalism in music was the new currency, and to hell with structure. I just played it. It took almost three years for E2-E4 to be released. An improvised, one-track album that foresaw the coming of minimal techno as early as Words by Tristan Gatward.

Having thought about the best way to support our running costs the printing and distribution fees, the podcast and production costs etc.