DOWNLOAD SHLOHMO LAID OUT
Track Of The Day: Marketing and Advertising Cookies This site tracks activity, used for customised advertising across several services Facebook. You can choose to opt out of the following cookies: Shlohmo — Laid Out. For information about cookies that are required for this website to operate correctly, please read our cookies policy. That Laufer later removes all trace of percussion and turns up the filters to muffle what’s left only increases the thing’s power, the storm passing on.
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Like us on Facebook! So it probably doesn’t take Dr. His instinctive feel for a beat remains as laic as ever too. The track evolves into a tenderly wrought ballad, underpinned by a wincing chorus of sampled falsettos. Edit cookies preferences Accept Cookies.
This site tracks activity, used for customised advertising across several services Facebook. Close View Full Product. It’s just a matter of when. Similarly, ‘Out Of Hand’s Burialist 2-step comes on a lot like a comedown redux of last year’s excellent Stumbleine record. Shlohmo — Laid Out. Having been rehoused inside a hulking metal chassis after his near-fatal car crash, drug dealer and all-round shit bastard Cain decides to smoosh the head of his girlfriend Oit, after she reminds him of his lost…ah…’manhood’, by toying suggestively with one of his wrench-like pincers.
Crucially though, Shlohmo is sensitive to avoid the crass predictability that is fast rendering trap as dirty a genre as wobble dubstep. Shlohmk capacity for transforming vocal samples into malleable instrumental elements in their own right allows him to retain the catchy quality of a sung hook while still blending ahlohmo into a warm collage of accompanying musical gestures.
SHLOHMO – LAID OUT EP
We get beats that sound like they’ve come from wood or hide, rather than a circuitboard. Turning off will mean that your IP address is not sent to Google. But where both Blue Sky and Stumbleine veered into the realms of the overblown, Laufer keeps things taut.
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Even if the pedigree of Laid Out ‘s opening one-two are easily recognisable, it shouldn’t be said that Laufer is coasting. Turning off will mean that your activity is not sent to these services.
SHLOHMO – LAID OUT EP |
It’s hip-hop’s swagger in the darkness of a shadowy club, a place where the subs force out oxygen, where bad things are happening in indistinct corners, where everyone’s cancelled eyes look straight through you and ants crawl under your skin as whatever you hoofed half an hour ago starts to wear off.
Whether Henry Laufer will be able to maintain all the warm soul and variety present on Laid Out for the duration of a long-player remains to be seen.
View Your Wish List. For information about cookies that are required for this website to operate correctly, please read our cookies policy. Previous Play Pause Next. It’s fitting that Tom Krell’s hanging-by-a-thread melodrama is all over lead track ‘Don’t Slohmo No’ — both he and Laufer share a penchant for channelling digital sadness into a representation of the natural.
Shlohmo – Laid Out EP
Designed by Ammaar Alid. Even with Krell’s pleading ‘wait’ weaving in and out of ‘Don’t Say No’s sodden lick, the desperation is always tangible, never in doubt, pinned down by Laufer’s pared-back beats. Laud Preferences For information about cookies that are required for this website to operate correctly, please read our cookies policy. It’s not a new idea, this meld of soul and circuitry — one more obvious reference point is Blue Sky Black Death’s ‘Sleeping Children Are Still Flying’which also drizzled some pleasingly widdly six-string over rollers.
It’s just as stirring as Krell’s falsetto skyhooks at the start of the record, this layering of man on machine, and it’s a devastating end to a near-perfect EP. But Laufer soon folds in those clicks and hisses, some honest-to-Bladerunner synthwork, and turns up the reverb until the purity and glassiness of the chimes starts to sound perverse over the black chasms cut by the sawtoothed keys.
Create Laic Voucher Add to Basket. These obscured vocal exclamations have become a staple element for electronic producers this side of Mount Kimbie and Burial but few artists command and manipulate the potential richness of the human voice quite like Laufer.
Here, Laufer wrangles whispering static to come off like rain on a porch roof, while drum machines fizz and crackle against a soaked-through guitar, wailing somewhere off in the distance. The Four oh Five. That Laufer later removes all trace of percussion and turns up the filters to muffle what’s left only increases the thing’s power, the storm passing shlhmo.